Chinese Antique | Metal Seated Figure in the Water-Moon Guanyin Style

This Chinese antique metal seated Guanyin clearly draws on the artistic vocabulary of the Water-Moon Guanyin / Guanyin at Ease. The figure wears an ornate jeweled crown, a celestial scarf and beaded necklaces. Rather than sitting formally on a lotus throne, the figure is shown in a relaxed pose with one leg raised and the other hanging naturally, the posture of ease often seen in Water-Moon Guanyin images. The face is lowered, the expression composed, the features soft and restrained, creating a contrast of stillness against the movement of the ornate crown and layered drapery. The right arm hangs naturally and the body turns slightly to one side, making the piece not only a religious image but also a work of considerable sculptural artistry.

Price NT$ 30,000 ≈ US$ 915(Approximate amount; actual prices are in New Taiwan Dollars)
Dimensions
L 20.5 × W 14 × H 28.2 cm
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Features

◆ In the manner of a Water-Moon or Avalokiteśvara-at-ease Kannon

The most distinctive thing about this piece is the relaxed, natural seated pose of the Kannon. Unlike traditional Buddhist images seated with both legs folded, this type emphasises the grace and ease of the figure, so it reads as more sculptural and sits well in a home or an art collection.

◆ An elaborate crown

The crown on the head is richly layered, with multiple floral ornaments, scrolling motifs and bead-like details. The crown is highly decorative in itself and makes the figure's identity and religious dignity all the clearer.

◆ A calm, gentle face

The face is serene, the eyes slightly lowered and the corners of the mouth restrained, conveying a reserved, compassionate and settled quality. This is one of the essential spiritual characteristics of Kannon images.

◆ Finely worked necklaces and chest ornaments

Several layers of beaded necklaces, jewels and hanging motifs can be seen at the chest, carved with considerable depth. These details keep the piece from feeling heavy despite the metal and instead add refinement.

◆ Layered treatment of the celestial scarf and drapery

Naturally falling folds are visible across the shoulders, chest and lower robe. The hem in particular opens out naturally along the legs and the base, giving a very fluid outline and reinforcing the movement of the seated pose.

◆ Solid, stable metal

Compared with wooden or ceramic Buddhist images, metal figures generally have more weight and stability. Placed on a wooden cabinet, a stone stand or an altar table, they give off a stronger sense of collection and of Japanese antique art.

◆ Antique-bronze colour and natural patina

The surface is not a bright gold but an interplay of dark brown, antique bronze and small bright metal areas. This natural variation gives the work a stronger sense of age and suits old wooden furniture, a Buddhist altar room, a tea room or a classical East Asian interior.

◆ Both a religious image and a work of art

Besides serving as a Buddhist devotional image, this piece is equally enjoyable as East Asian sculpture. Even apart from religious use, the proportions of the figure, the lines of the robes and the seated pose make it highly decorative in a space.

The cultural meaning of the Water-Moon Kannon

The Water-Moon Kannon is one of the important Kannon forms in East Asian Buddhist art. It usually appears in a relaxed seated pose, symbolising contemplation, purity and ease. "Water-moon" suggests the purity and non-attachment of the moon's reflection in water, so images of this type generally emphasise not majesty but calm, compassion and inner stillness. For that reason the Water-Moon Kannon suits a tea room, a study or a space for quiet reflection particularly well.

Specifications

Dimensions L 20.5 × W 14 × H 28.2 cm