Features
A representative Meiji-period Imari style: an opulent display vessel in enamels and gold
Meiji-period Imari ware was often richly decorated to meet the needs of export and display, and the enamels and gold on this piece show exactly the appeal of that line.
A general's jar form: 44 cm high, with a cover and grand proportions — it commands the room as soon as it is set down
A height of 44 cm together with the finial on the cover creates a clear visual focus, particularly suited to serving as the main piece of a vista or the centrepiece of a display cabinet.
An uncommon square form (base 15×15 cm), easily recognised
Compared with the more common round jar, a square covered jar seated on a square base is more distinctive, looks more upright and dignified in place, and lends itself better to display in pairs or in groups.
A sometsuke blue ground with enamelled flowers and gold dividing bands, very richly layered
The blue ground steadies the whole, the enamelled flowers bring a festive air and the gold adds splendour; with all three together the jar looks imposing from a distance and full of detail close up.
Floral subjects with auspicious meaning (chrysanthemum motifs)
In Japanese culture the chrysanthemum commonly carries the imagery of good fortune, long life and propriety, which suits it both to display at home and to a congratulatory setting at a shop opening.
Complete decorative bands and panelled composition, with the look typical of Imari nishikide
The band at the shoulder, the panelled brocade grounds and the main picture are evenly balanced — the hallmark of a typical Imari display vessel, in which the workmanship is plain to see.
Suits woodwork, dark furniture and Japanese-Western eclectic interiors
Wares of this kind, blue and white with enamels and gold, show greater contrast and quality when set against a dark wood cabinet, an antique table, a grey wall or a concrete wall.