Collecting Japanese Buddhist Art
Collecting Japanese Buddhist Art: History and Collecting Value. The Historical Background of Japanese Buddhist Art. Japanese Buddhist art is an important part of Japanese culture, deeply influenced by India, China
DASING ART JOURNAL & ARCHIVE • ACADEMIC RECORD
Objects Carry the Way · Studying the Past to See the Truth
Written by experienced researchers of vintage Japanese objects in Kyoto and Tokyo, tea practitioners and master restorers, these articles trace centuries of Japanese craftsmanship and share the cultural background, aesthetics and connoisseurship of ceramics, tea ceremony utensils, maki-e lacquer and metalwork.
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Kyoto & Tokyo Research Library
Research on Japanese craft aesthetics and tea ceremony objects
Feature Lectures · Guide to Antique Wares
How to Distinguish Japanese Buddhist Artifacts
How to Distinguish Japanese Buddhist Artifacts. Japanese Buddhist artifacts come in a rich variety with deep historical backgrounds; distinguishing them requires looking at their material, period, artistic style, use and
CONNOISSEUR GLOSSARY
[Essential for Japanese Antique Art] Quick Illustrated Glossary of Japanese Ware Terms
Appreciating a piece is not only a matter of refined taste; it is also key to telling genuine from fake. Click a glossary card to read the indicators every collector should know.
Tomobako and Kiwamebako
TOMOBAKO & KIWAMEBAKO
The tomobako is the original paulownia wood box inscribed and signed with a kaō by the maker; the kiwamebako is a box inscribed later by a noted expert or school head to attest to the piece. Both are key records for tracing a piece's origin, and they differ markedly in value.
Kannyu and Amamori
KANNYU & AMAMORI
Crackle in the glaze (kannyu) forms from differing rates of expansion under heat and cold; soft stains (amamori) form as tea seeps into the body over decades. Tea practitioners prize both as natural beauty.
Surikin and Wear
SURIKIN & PATINA
On lacquerware and kinrande porcelain, centuries of handling leave rims with a soft matte sheen that also helps with dating. Fake wear made with acid or sandpaper leaves harsh edges without a natural, graduated luster.
Yōhen and Hidasuki
YOHEN & HIDASUKI
On unglazed wood-fired wares such as Bizen and Tamba, straw wrapping or melting ash creates red scorch lines (hidasuki) and sesame-like ash deposits (goma), giving a natural wabi-sabi texture.
DASING ART JOURNAL & KNOWLEDGE
Centuries-Old Aesthetics · Discover the Beauty of Japanese Antique Art
DASING Japan Art Warehouse continues to gather background on wares from the Edo to Shōwa periods, research on tea ceremony schools, and the aesthetics of traditional crafts. Browse the articles in our Knowledge section and discover the craft and culture behind Japanese antiques.
Accessible insights into Japanese antique art and craft
Covering ceramics, tetsubin, lacquerware and more
Occasional features on master makers, history and culture
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DASING Japan Art Warehouse Editorial Team